Upcoming Online Demonstration: Textile Hive

Textile Hive logo

The Fashion, Textile, and Costume Special Interest Group would like to invite group members to an upcoming online demonstration of Textile Hive. The online demonstration will be held on Monday, May 2 from 4-5pm (EST) and will be featuring Caleb Sayan and Andrea Aranow.

The demonstration will be held online and can be accessed here: https://join.me/TextileHive.

For more information on this resource, please check out the Textile Hive website.

For more information on membership, please click here.

Exhibition: Threads of Identity: Contemporary Maya Textiles

synthetic-fiber-huipil
SYNTHETIC FIBER HUIPIL Created: 2012

What: Threads of Identity: Contemporary Maya Textiles

Where: Mint Museum RANDOLPH, Charlotte NC

When: Jan 2 2010-Dec 31 2016

“Maya peoples of Guatemala and southeastern Mexico are renowned for their time-honored tradition of magnificent attire. Among the Maya, dress is an outward expression of cultural pride. Dress also conveys one’s place in the world, signaling social identity and geographic origin or current community.

Today’s repertoire of Maya traditional clothing, called traje, developed primarily during the Colonial Period (1521-1821 C.E.) as a forced adoption of European dress. Yet elements of traje reach back more than 2,300 years. Today’s fashions, as adaptations of imposed, foreign modes to indigenous couture, are testimony to Maya perseverance in spite of hundreds of years of colonization, enslavement and genocide.

Maya clothing styles generally are divided along language boundaries. This exhibition features fashions of the Kaqchikel, Ixil, K’iche’, Mam, Tz’utujil, Chuj, Awakatek, Jakaltek and Poqomchi’ from Guatemala, and Tzotzil and Tzeltal from Chiapas, Mexico.”

Can you help? Issues in measuring journal and research impact in fashion

I am the Liaison Librarian for Fashion and Textiles at RMIT University in Melbourne, Australia and am looking to do some investigation into research and journal impact as it relates to studies in fashion and textiles. I would love to hear from anyone in the US (or elsewhere) who may have undertaken their own projects or research in this area. Some of the specific areas of interest are:

• Journal impact and ranking – what criteria/measurements do fashion and textile researchers use to choose journals (or other avenues) in which to publish their research? We are interested in investigating alternatives to tools such as Scopus, SJR – SCImago Journal & Country Rank and Google Scholar metrics
• What quantitative or qualitative measures do researchers in fashion and textiles use to measure the impact of creative practice? Are there specific issues relating to fashion and textiles creative practice and the more traditional ways of measuring research impact?

My email address is michelle.matheson@rmit.edu.au and welcome any information or comments on these topics.

The Cinema Guild: Fashion Documentaries Source

Based in New York City, The Cinema Guild is a distributor of independent, foreign and documentary films.   They have some fashion documentaries that would probably be useful for most collections:

DRESSING AMERICA:  Tales from the Garment Center

DRESSING AMERICA: tales from the garment center

(Image from Dressing America, 2011.)

HANDMADE WITH LOVE IN FRANCE
STILETTO
STITCHING OUR FUTURE

 

Henry Art Gallery Field Trip Report

During this past ARLIS Conference in Seattle, a few of us from the FTC SIG had the pleasure of visiting the Henry Art Gallery. Benjamin Levy, Assistant Curator of Collections and Academic Programs, met us and gave us a brief history of the Henry Gallery itself before turning us over to Judy Sourakli, Curator of Collections for an in-depth introduction to the Costume and Textile Collection. The collection spans a range of cultures including European, Asian, Central American and Middle Eastern, and dates from 1500 BCE to the present. We learned about how the collection was developed, starting with its origins at the University of Washington through to today when decades of careful curation and indexing feed into the Henry’s searchable online database. As an extension of this, The Henry also provides an Embroidery Stitch Identification Guide, a terrific resource for both craftspeople and textile historians.

The background information provided a sense of context for the end of our visit, where we got to look at a few items from the collection in person. It was really exciting to see the attention to detail that went into these pieces, and the care with which they’re being preserved for further scholarship.

Check out a few photos from our visit in the slideshow below.

Thanks to Ben and Judy for their warmth and generosity during our visit!

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