“Cross Colours: Black Fashion in the 20th Century showcases vintage textiles, media footage, and rare ephemera that illuminate how Cross Colours has permeated popular culture and how fashion can be used to tell history anew.”
“The fashion industry in all its forms was one of the first industries to offer Richmond women of diverse backgrounds and colors an accepted professional path with prospects for personal agency. Communal participation is central to the success of the fashion industry. Through word of mouth, one woman’s social network can become another’s client base. At the same time, many of the Richmond women working in fashion have used their professional connections and successes to bring attention to the city and its industries.
In a superb display of high fashion and low from the 19th century to the present day,Pretty Powerful: Fashion and Virginia Women will examine the role of fashion in the professional, creative and social advancement of women in Richmond, Virginia.”
“North Carolina native William Ivey Long is one of the most renowned theatrical costume designers working today. This exhibition, organized by The Mint Museum, explores Long’s most recent work, from 2007 to today. It features the theatrical productions The Lost Colony (redesigned 2007–2008), The Mystery of Edwin Drood (2012), Rodgers and Hammerstein’s Cinderella (2013), Little Dancer (2014), and On the Twentieth Century (2015), as well as the television specials Grease Live! (2016), and The Rocky Horror Picture Show: Let’s Do the Time Warp Again (2016). Focusing on Long’s process, it features sketches, swatches, mood boards, and other preparatory materials in addition to the costumes themselves.”
CODED_COUTURE looks at the intersection of fashion and technology, using computer coding as the ultimate design tool for customizing clothing and accessories. The clothing in this exhibition can act as a lie detector, shift according to the viewer’s gaze and interact with social media such as Twitter.
CODED_COUTURE features the work of 10 international artist-designers whose inventive techniques are rooted in new technology.
“SCAD FASH Museum of Fashion + Film presents the first solo museum exhibition by celebrated photographer Omar Victor Diop. “Project Diaspora” is a rich, meticulously crafted essay of 18 works of art that explore the often neglected, but deeply entangled historical relationships between Africa and the rest of the world, including trade, early diplomatic encounters and the legacy of slavery. Diop’s photographs focus on the representation of Africans in Western and Asian art history from the 15th to the 19th centuries, as he recreates portraits of individuals who became prominent figures in their unique contexts.”
“Our Hearts on Our Sleeves examines Richmond’s longstanding infatuation with the arts as articulated through individual style and communal support of avant-garde fashion and fiber art. Like the murals that adorn the city’s buildings, textiles adorn citizen’s bodies uniting artistic expression with self-actualization, creativity with civic service, and traditional techniques with profound irreverence.”
“SCAD FASH presents “Shoes: Pleasure and Pain,” an exhibition organized by the Victoria and Albert Museum, London, that explores the creativity, cultural significance and transformative power of shoes. The exhibition displays more than 200 pairs of shoes, from ancient Egyptian slippers embellished with gold leaf and the seductive signature red soles of Christian Louboutin heels, to cutting-edge designs created by contemporary designers experimenting with new materials and the latest technology. SCAD FASH is honored to be the only southeastern venue for the exhibition.”